Sasha Koozel Reibstein: 'The End is Near the Beginning'

Sasha Koozel Reibstein’s ceramic sculpture gives form to the mysterious and often chaotic processes of creation. Reibstein recognizes the parallels between the intense collisions of heat, energy, and pressure that ultimately form galaxies, living organisms, as well as ceramic objects, and illuminates the transformative potential of such extraordinary occurrences. For her exhibition at ICA San Diego, Reibstien will present her largest works to date, the results of residences at San Diego State University and Cal State University Long Beach completed earlier this year. “The End is Near the Beginning,” which takes its title from the largest work in the show, will be Reibstein’s first solo museum exhibition in San Diego.

Reibstein’s ceramic sculptures are fundamentally rooted in transformation—of the body, mind, universe, and clay itself. They are the products of expertly negotiated dichotomies: earth and space; light and darkness; life and loss; body and mind; control and chaos. “The End is Near the Beginning,” offers a meditation on the ICA’s ongoing exploration of consumption, inviting us to consider the multiple definitions of the word. “To consume” can mean both to nourish and destroy; we can consume–or be consumed–emotionally or physically. The ceramic process itself is one of transformation via consumption by fire, a process that resonates with a central theme of this exhibition: the intimate connection between life and death, and the generative potential that accompanies destruction. Though grounded in mortality, in Reibstein’s work, the cyclical nature of life offers opportunities for growth, renewal, and deep connection across time.

Learn more here.

Related links:
Sasha Koozel Reibstein website | Instagram
ICA San Diego website | Instagram | Facebook